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œ@Camouflage expressioniThree-color camouflagej@

@@When it is the latter period of the Great War in the German armed forces of WW ‚Q, the command of the air disappears, and the tactics has turned into "defense" from "an attack", and the camouflage pattern changes. The numerousness of this variation is pleasure, and a person making German armed forces vehicle is serious again.

@An area of the dark yellow that is a basic color introduces little three-color camouflage this time. @This is writing brush coating, but it is comparatively easy, but attention is necessary if careful about even green and brown balance unless I warn adjustment (wethering, aging) more the later than the painting because it is it like a toy with all one's might

‚P@The groundwork painting

Because a cover power is weak, as for the lacquer paint, the color of the finish changes by a lower colour of the ground.


œ@A point
The paint did it thin to prevent a delicate part from being buried and did stack coating how many times it was.

‚Q@The basic painting

I pick up by some colors by the drybrush of the slightly wet tendency so that the surface does not become rough.

œ@A point

Because the color to be finished changes when I change a lower colour of the ground and basics-colored combination, it is pleasure that try a combination in various ways.

‚R@The first step

If the pattern of the camouflage takes the documents good, and it understand it, and it makes an image, it is freehand

At first I paint brown.
The border of the color has a step when I use the paint of the density that I can paint with at once.
Therefore I paint with the paint which I weakened with a tender writing brush.@

œ@A point

I paint at a stretch not to invade the body color without returning a writing brush on the way and dry it well

‚S@The second step

I paint with dark green while looking at the balance. It is the stage that the first finished with two colors.

I give it up and it is good and can go ahead through the work while watching total balance without minding it in what come by a retouch by the next process even if I protrude to some extent too much.

‚T@Preparations completion

It is the stage that lost a spot by three times of stack coating.

The part which a camouflage pattern does not like revises it here.

‚U@The adjustment of the color‡@

I do compound color of a sale color in camouflage color and do a drybrush with the thing which I gave luminosity to and start a three-dimensional impression.

œ@A point

Three colors are to mix a common color (this time, sale color) together and can keep a united feeling in a total color.

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‚V@The adjustment of the color@‡A

Because a boundary line did it for clear camouflage this time; after drying of the border part graze it, and a retouch does soup stock with the body color.

In the case of the camouflage that a border became dim, I do a drybrush by a thin writing brush on a border part at this stage.

In addition, I become "light and the shade" camouflage after this when, furthermore, I draw points

œ@A point

In a dark lower colour of the ground, I do a drybrush with a bright color.
Then, as for the color, just middle; become colored it.

When compound color does a colour of the ground in the color that I used for a drybrush when I use the color that I used for a drybrush when I draw a border because only there can completely close a colour of the ground because I become bright and does the coating drawn game of the boundary line, sense of incongruity disappears.

‚W@Adjustment completion

I let I did a drybrush of the whole with the body color lightly, and each color be familiar

I do not seem to change from a stage before the one very much, but think that the color taste calmed down first of all.

‚X@Finish

With dark blue, I picture a wound in the body.

I reproduce inking over and raindrops by black and brown of the enamel and do a drybrush to an edge to silver last. I perform it in soft touch by a wide writing brush

It is the most effective to perform the camouflage painting in an airbrush, but will not it be good to sometimes enjoy the painting slowly while thinking about a procedure and technique in this way? @Oh? But do you have a hard time?

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